{"id":22198,"date":"2022-04-05T19:27:50","date_gmt":"2022-04-05T19:27:50","guid":{"rendered":"https:\/\/afficha.info\/?p=22198"},"modified":"2022-04-07T19:05:55","modified_gmt":"2022-04-07T19:05:55","slug":"22198","status":"publish","type":"post","link":"https:\/\/afficha.info\/?p=22198","title":{"rendered":""},"content":{"rendered":"

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12-15 avril 2022<\/span> – Th\u00e9\u00e2tre de L’Ath\u00e9n\u00e9e<\/span><\/p>\n

\u00ab\u00a0Eurydice\u00a0\u00bb, op\u00e9ra de Dmitri Kourliandski (compositeur russe n\u00e9 \u00e0 Moscou en 1976) au Th\u00e9\u00e2tre de L\u2019Ath\u00e9n\u00e9e Louis Jouvet. \u00a0Kourliandskyi nous plonge dans la solitude d\u2019Eurydice ( la soprano Jeanne Crousaud), entour\u00e9e de voix \u00e9lectroniques dont on imagine que leurs d\u00e9formations sont provoqu\u00e9es par la distance qui la s\u00e9pare du monde des vivants. Le long et magnifique po\u00e8me de Nastya Rodionova sur lequel est compos\u00e9e la pi\u00e8ce, divis\u00e9 en sept arias, est une intime introspection, une plong\u00e9e dans un environnement imag\u00e9 et obs\u00e9dant. Une exp\u00e9rience du noir. Pour mettre en sc\u00e8ne cette nouvelle\u00a0Eurydice, Antoine Gindt a sollicit\u00e9 Dominique Mercy, Orph\u00e9e iconique de Pina Bausch en 1975 pour l\u2019op\u00e9ra de Gluck,\u00a0Orph\u00e9e et Eurydice. Ce r\u00f4le il l\u2019a v\u00e9cu, incarn\u00e9, transmis, il en a acquis une m\u00e9moire inaccessible. Il retrouve Eurydice ailleurs, comme dans un songe. Ces deux parcours, celui d\u2019Orph\u00e9e et celui d\u2019Eurydice, se d\u00e9roulent dans deux espace-temps\u00a0; ils se rejoignent sur sc\u00e8ne et donnent \u00e0 ce spectacle son \u00e9tranget\u00e9 et sa fascinante dimension hypnotique.<\/p>\n","protected":false},"excerpt":{"rendered":"

12-15 avril 2022 – Th\u00e9\u00e2tre de L’Ath\u00e9n\u00e9e \u00ab\u00a0Eurydice\u00a0\u00bb, op\u00e9ra de Dmitri Kourliandski (compositeur russe n\u00e9 \u00e0 Moscou en 1976) au Th\u00e9\u00e2tre de L\u2019Ath\u00e9n\u00e9e Louis Jouvet. \u00a0Kourliandskyi nous plonge dans la solitude d\u2019Eurydice ( la soprano Jeanne Crousaud), entour\u00e9e de voix \u00e9lectroniques dont on imagine que leurs d\u00e9formations sont provoqu\u00e9es par la distance qui la s\u00e9pare …<\/p>\n","protected":false},"author":36,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":2,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-22198","post","type-post","status-publish","format-standard","hentry","category-divers"],"_links":{"self":[{"href":"https:\/\/afficha.info\/index.php?rest_route=\/wp\/v2\/posts\/22198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/afficha.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afficha.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afficha.info\/index.php?rest_route=\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/afficha.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22198"}],"version-history":[{"count":0,"href":"https:\/\/afficha.info\/index.php?rest_route=\/wp\/v2\/posts\/22198\/revisions"}],"wp:attachment":[{"href":"https:\/\/afficha.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afficha.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afficha.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}